Customer Rating: Summary: Hepburn saves this turgid expoitation thriller Comment: BLOODLINE, based on the novel by Sidney Sheldon, is a good movie if only to see the radiant Audrey Hepburn in one of her final acting roles. She plays Elizabeth Roffe, who inherits her father's pharmaceutical empire following his mysterious death. Facing opposition and downright hostility from the board members (who also happen to be Roffe relations), Elizabeth's own life soon becomes threatened.
A boring script and meandering plot are the main factors why BLOODLINE never really catches fire; despite a star-studded international cast which boasts James Mason, Ben Gazzara, Irene Papas, Romy Schneider and Claudia Mori. The sweeping, haunting musical score is provided by Ennio Morricone.
Audrey Hepburn bravely leads the charge with an intelligent and sympathetic portrait as Elizabeth; this film was totally unworthy of her talents. Still, for Audrey fans it's worth a look. Customer Rating: Summary: A must-see only if you're an Audrey Comment: If you are an Audrey-fan, you must see this film only for the sake of seeing it because you are a fan. Got that? Customer Rating: Summary: One of the best films on chic ! Comment: I have to agree with another review , this movie had me thinking when I was a teenager too , I loved audrey hepburn and all the cast in this film , I didnt read the book , maybe I should .
But I did love the soundtrack and have recently bought it again and now Im thinking maybe I should buy the film as well. Too bad its not on DVD format .
I do miss films like " Bloodline "
The snuff part I could have done without , but I also agree the bald man was a hottie . Customer Rating: Summary: Audrey 's worst film!!! Comment: How Sheldon's wonderful novel was turned into such a bad (and very boring) movie is a mystery. Good cast (Hepburn, Mason, Schneider) wasted...Buy the book instead!!! Customer Rating: Summary: Suspenseful, Sexy, Mason/Gazarra Worthy Adverseries Comment: James Mason and Ben Gazarra were still virile and energetic enough to pull it off as two middle-aged adverseries for the eternally charming Audrey Hepburn. Enjoy it for what it is, a straightforward, by-the-numbers suspense thriller with plenty of '70s fashion and atmosphere. The ending, where Hepburn must decide to believe either Mason or Gazarra, is great. Mason's 1978-79 performances in "The Boys from Brazil" and "Salem's Lot" and here made for a notable trifecta of quality acting.
