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Nabaza.net-The MarketPlace - Metropolis (Dol)
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List Price: $14.95
Our Price: $1.50
Your Save: $ 13.45 ( 90% )
Availability: N/A
Manufacturer: Columbia TriStar Home Entertainment
Starring: Toshio Furukawa, Scott Weinger, Yuka Imoto, Kei Kobayashi, Kouki Okada
Directed By: Rintaro
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Average Customer Rating:  
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Audience Rating: PG-13 (Parental Guidance Suggested)
Binding: VHS Tape
EAN: 9780767886017
Format: Animated
ISBN: 0767886011
Label: Columbia TriStar Home Entertainment
Manufacturer: Columbia TriStar Home Entertainment
Number Of Items: 1
Publisher: Columbia TriStar Home Entertainment
Release Date: 2002-09-24
Running Time: 109
Studio: Columbia TriStar Home Entertainment
Theatrical Release Date: 2002-01-25
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Editorial Reviews:
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Adapted from Osamu Tezuka's 1949 manga, Metropolis (in Japanese with English subtitles) is an opulently beautiful film that fails to present a coherent story worthy of its extraordinary visuals. Evil Duke Red (voice by Taro Ishida) plans to rule the world from Ziggurat, his newly completed art deco tower. A new robot is being developed by his henchman Dr. Laughton (Junpei Takeguchi) to control all the machines in the world from Ziggurat. Japanese detective Shunsaku Ban (Kousei Tomita) and his nephew Kenichi (Kei Kobayashi) arrive in Metropolis in pursuit of Laughton and are plunged into Red's plot. When the duke's maniacal adopted son Rock (Kohki Okada) attacks Laughton's hidden lab, Kenichi and the waiflike android Tima (Yuka Imoto) flee into the city's subterranean slums and fall in love. Despite a protracted series of chases and violent shootouts, there's little excitement and less character development. Director Rintaro (Hayashi Shigeyuki) borrows heavily from Fritz Lang's 1926 Metropolis, Ridley Scott's Blade Runner, and Katsuhiro Otomo's Akira, but his staging makes much of the action hard to follow. The film takes an unintentionally hilarious turn when Ziggurat crumbles to Ray Charles's "I Can't Stop Loving You." The computer-generated skyscrapers, machines, and airships offer dazzling vistas of an overscaled and sinister deco-dystopia. But Tezuka's flat little characters, with their big eyes, round noses, and bubble-shaped feet, don't fit into that realistic three-dimensional environment. MPAA rating: PG. Contains considerable violence and grotesque imagery. --Charles Solomon
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Spotlight customer reviews:
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Customer Rating:
Summary: Cheesy and Annoying Cartoon Dystopia
Comment: I recently did a review for this film that I had to delete. I hadn't seen the movie in years when I wrote it. After praising "Metropolis" as "one of the most visually beautiful movies ever made in the entire history of cinema. Period. Much more impressive than Fritz Lang's "Metropolis" which is the mother of all sci-fi eyeball dazzling visual extravaganzas" - I went back and watched it.
I guess the CGI and traditional animation combo really impressed me a few years ago. Lol. First off so many films have come along since that are much more impressive and secondly, while comparing this "Metropolis" to Fritz Lang's is unavoidable and not entirely without merit, it's still wrongheaded to imply the cartoon is simply superior. Wrong because it isn't superior and because the animation style of a 21st century cartoon and the visual effects of a sci-fi classic made in the 1920s are apples and oranges.
I originally said this and still agree: All sci-fi film portraits of future civilizations are compared, especially those set in all encompassing, vast, cityscapes. So, of coarse, upon seeing this film most will recall Lang's vision, which is obviously an influence here -an inspiration for central plot elements maybe more than visual style, but also "Blade Runner" and "Akira".
But there is a serious problem with the animation that has been pointed out by many reviews, just as it was when I watched the movie with friends. That of coarse is the character design. I attempted to appreciate them as perhaps throwbacks to an old 1920s style, perhaps in fitting with some of the Art Deco architectural elements as well as the terribly annoying Dixieland jazz playing throughout the movie. But they are too goofy with their round noses (well one is a giant beak), huge eyes, bulbous feet, and one dimentional appearance.
And guess what? Unfortunately the story is muddled and characters underdeveloped. Heh, how often is that the case? I'm tellin' ya brother. When it all comes together you have GOLD --You have cinematic magic-- a new classic on your hands. But when it doesn't, it just doesn't, and you can't pretend otherwise. I do dig the political intrigue and drama involved in the portrait of a corrupt plutocracy and the chaos and disaster that ensues. It's a wild, cheesy, bumpy ride.
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So, after seeing this "Metropolis" again, I liked it less. It's even more cheesy and annoying than I first recalled and the CGI infused picture less impressive. Oh, and I couldn't stand Duke Red's adopted son, Rock, at all. One of the least sympathetic little pricks I have ever seen in a movie.
Customer Rating:
Summary: Aestheticly unique.
Comment: While anyone can harp about the character designs not matching up with the background, its more important to apreciate what this anime did deliver, and that would be overall aesthetic quality. I my self actualy wanted a more expanded version of Metropolis even after I finished watching it, which is more than I could say for most movies. Im aware that the manga does exist and is problaly better, but in many cases the graphic novel or novel in general is always prefered by audiences who have actualy read them. For example there are many discreptincy's between Jurassic Park and Micheal Crichton's Novel, including The Lost world. were the books as good as the movies? at least in this case not quite. The only redeming factor of the movie was the sheer aesthetic value and suspense, I have never seen anything so realistic, especialy considering how increadibly limited CG technology was back in the early 90's. Anyways if you like quality work metropolis is for you. Finaly I would like to point out that the character designs are made to look like Osamu Tezuka's characters, while he himself never wanted this particular work to become an anime for reasons unknown I still think it was a good idea to get it out there.
Customer Rating:
Summary: A love hate thing...
Comment: Apparently everyone else loved it... but I hated it... (Well hate is strong... I didn't HATE it per se...)
Most of the reviews seem to rely heavily on the historical significance of this anime. No doubting that the original artist, and the fact that this was one of the earliest anime films to make significant use of 3D makes for a powerful history but the history doesn't make this piece timeless... the story should make this work timeless... and to be honest this story and story telling is far from timeless IMHO.
I had really high expectations for this one based on the reviews here... apparently I'm not with the crowd on this one...
The 3D looks really dated in Metropolis. Compare that to the still fresh 3D look in Blue Submarine No.6 (which was done 3 years before Metropolis, now 10 years old) and you can't help but be disappointed in the look of the film.
That and I guess I really don't like the stylization of the characters... the cover demonstrates a more contemporary style for characters... but characters in the entire film have a very VERY retro look... it is a bit misleading.
The pacing of this film really disappointed me, it was very predictable... I actually fell asleep for a few minutes at one point while watching this... and you could tell some sequences served very little purpose other than trying to increase the pace of the film without using much substance... (Honestly who couldn't see them crashing on that pedi-cab as soon as you realized what they were on??? really weak... )
The love story flounders too... I didn't feel the least bit emotional when tragedy struck at the end. Good love stories rip your heart out when one part of the pair is torn away from the other... In this case... it was like, "OK... what is next?"
The concept is cliche'.
The story telling lacks anything that grips you.
The protagonist and antagonist don't play against each other well. Or at least don't demonstrate suitable contrast to be meaningful or impact-full.
Over all this was a really disappointing purchase.
The packaging is questionable too:
The cardboard case the DVDs come in has a clear plastic frame on the inside that the disks sit on. Under the disk is the funky thing they stick in cds and dvds that triggers an alarm if someone walks out of the store without paying... I normally have no issue with this alarm device because I remove them from items I purchase... however... it is UNDER the plastic so their is no way to remove them withouth destroying the package, AND, they completely ruin, what would otherwise be a fine looking case interior. :(
And what is with the little bitty second disk?
This might sound a bit harsh amidst all these positive reviews... but...
I had hoped to be moved by this, but I didn't feel a thing.
It's in my collection but not a favorite.
I wouldn't buy it again if I lost my copy.
Customer Rating:
Summary: All by itself...
Comment: In the winter of 1921 poet Hirato Renkicki, the first Japanese Futurist, distributed the first Japanese Futurist Manifesto to the people in Hibiya Park. To him the city had become a motor and the core of the city was dynamo-electric. The city was a system and the people were part of the system. This had become a very common idea, not only in Asia but also in Europe. This was not the first time Japan had been exposed to futurism but it was the first to take on a Japanese feel. It almost became anti-human, seeing flesh as weak and full of decay. This was before Fritz Lang's Metropolis and the ideas produced by it would fuel Japan's development and culture, from the war with the US to the Postwar era.
The manga Metropolis, and the movie based on it, is a protest against such thinking. The city is for the people, the people are not there for the city. The heart of the city should be the human heart, with all the flaws and merits that goes with it. This is NOT just a copy of another film, with the message of labor or the tragic romance, depending on which version you happened to have seen, but it does share some of the same ideas. But these ideas traveled a different pathway and should be judged and enjoyed without comparing them to others. In the Lang version the female robot is hated. In this version the female robot is not hated, not by everyone, and there is a chance that mankind and the robots and the machines may yet learn how to live in a society made for everybody and everything.
A must for any anime or sci-fi library.
Customer Rating:
Summary: Don't listen to naysayers
Comment: This is my favorite film of all time, so I was wondering what people who gave it one star would have to say. The two most prominent complaints were an outdated style of animation and overdone storyline. There is a simple and reasonable explanation. This is based of elements from Metropolis by Fritz Lang and Osamu Tezuka's Metropolis manga. The animation style mimics his artwork, giving it a retro feel. Any other type would change the film's purpose and feel so drasticly that it would not be the same film at all. It is shocking to see characters drawn so inocently in the situations they encounter in this movie. The overdone storyline? THIS IS A REMAKE. A loose one, but still. You shouldn't expect anything too original, but this film delivers a storyline that is similar to many others, but better. This is a brilliant film with no flaws.
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