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Nabaza.net-The MarketPlace - 2001 - A Space Odyssey [HD DVD]
![2001 - A Space Odyssey [HD DVD]](http://ecx.images-amazon.com/images/I/41PdEU1aYqL._SL160_.jpg)
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List Price: $28.99
Our Price: $18.20
Your Save: $ 10.79 ( 37% )
Availability: N/A
Manufacturer: Warner Home Video
Starring: Keir Dullea, Gary Lockwood, William Sylvester, Daniel Richter, Leonard Rossiter
Directed By: Stanley Kubrick
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Average Customer Rating:  
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Aspect Ratio: 2.40:1
Audience Rating: G (General Audience)
Binding: HD DVD
EAN: 0012569792067
Format: AC-3
Label: Warner Home Video
Manufacturer: Warner Home Video
Number Of Items: 1
Publisher: Warner Home Video
Region Code: 0
Release Date: 2007-10-23
Running Time: 148
Studio: Warner Home Video
Theatrical Release Date: 1968-04-06
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Editorial Reviews:
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A space mission that could reveal man?s destiny is jeopardized by a malfunctioning shipboard computer. A dazzling journey that tops them all ? and showed the way for other effects-packed films that followed.
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Spotlight customer reviews:
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Customer Rating:
Summary: A timeless & beautiful masterpiece
Comment: I first saw this film when I was 14, in the year it came out - and to say I was dazzled, confounded, stirred to my soul, is understating my reaction. Certainly I didn't understand its depths at that point, but the surface alone was enough to captivate me & make me think. Since that time, several decades have passed, and I've watched it many times over, gaining more with each viewing.
The wildly divergent opinions in the previous reviews tell a story all their own, and demonstrate what a cultural & philosophical Rorschach test this film truly is -- love it or loathe it, there don't seem to be many neutral responses to it. It's definitely not a film for those with short attention spans, or those who want to stay inside a very secure comfort zone. Comfort is the last thing it offers!
No need to offer a synopsis. Even if you haven't seen it yet, its themes & images are known to just about everyone -- the apes, the monolith, HAL. Anyway, this isn't a typical narrative. It's much more of a symphonic poem than a regular plot-driven story -- you should surrender yourself to it. The slow, measured pace is integral to understanding it on a deep, visceral level, because it takes the viewer outside of ordinary time, allowing us to set aside the distracting speed & information overload of everyday life.
So, we're in cosmic time here, an oceanic infinity where the everyday no longer applies, where swarms of byte-sized factoids are irrelevant. In a way, it's like meditation -- slowly shutting off the chatter of the monkey mind, so that we gradually become aware of something far more immense & vast.
It's not a thrill ride of sensation & immediate gratification. It's intensity of experience, building gradually & inexorably to a crescendo, a breakthrough of perception. Rational, logical explanation isn't the point while watching ... although afterwards, you'll have plenty to think about & discuss with others!
That discussion will cover a lot of ground, too -- the origins & ultimate fate of humanity, the nature of the universe, the essence of the sacred, the limits of technology, dehumanization, the meaning of existence -- and that's just the start. It offers questions, not answers, and challenges all who watch it to search for those answers themselves, within themselves.
The depth psychologist Carl Jung once said that the hardest thing in the world for anyone to do is simply sit alone in an empty room with his or her thoughts. "2001" puts you in that room, just as it put Dave Bowman in the same room. A safe, familiar, but sterile room -- and he emerges from it reborn, ready to grow into his expanded universe. Like any great work of art, that's precisely what this film offers each viewer. As in Rilke's poem "Archaic Torso of Apollo," it tells the viewer, "You must change your life." Whether you choose do so is up to you.
To those who find it boring or meaningless -- wait awhile, then give it another try. Sooner or later, life will have you asking, "What's it all about?" Slow down, reflect, and you may find that the film opens up to you at last.
Most highly recommended!
Customer Rating:
Summary: Boring
Comment: "2001" is the most boring SF film of all time. If it had been edited to a 15 minute film, including the docking of the Earth-to-space ship with the artificial satelite (the best scene) it would still be too long. In addition to which, I always have felt that it expressed a real dislike of humanity. Why this is still considered a "classic" I will never understand. And, the special effects have always been terrible. Also, to call the acting "wooden" is kind.
Customer Rating:
Summary: Fantastic
Comment: Always been a fan of the 2001 series and finally having the capability to watch 2001 on blu ray has made all the better. After I picking up the movie I popped it in to check to make sure it worked and everything was perfect, not only did it look crisp and clean but I couldn't even turn it off until I forced myself to say ok you have class get to it. A good buy and worth the time.
Customer Rating:
Summary: A Visual Delight!!!
Comment: The sets, lights and almost everything about the movie seemed to have been meticulously (and intelligently) planned and executed to create a modern-day masterpiece! Akin to watching a series of paintings by Dutch and Italian masters.
Customer Rating:
Summary: A Great Film
Comment: After years of watching and admiring this film, it dawned upon me that this is a tale of romance between man and the universe.
We're conceived as "early man" in the beginning, are touched with a revelation that puts us on the path towards (some kind) of maturity.
The pivotal event defining that maturity is when humans discover a beacon, the monolith, on the moon. Now begins the final step towards man's evolutionary destiny.
The process of Bowman changing from man to star child is depicted as a metaphorical act of sexual intercourse. (Ever wonder why the Discover 1 is shaped so long with a round head?) Once Discovery 1 has ejected its pod and penetrated the slit-shaped monolith, conception and procreation begins, and finally ends with a planet-sized fetus, the star child.
I wonder if Kubrick (not Clarke, because his script was absent of the visual metaphors that Kubrick used) had knowledge of the medieval quest for the creation of the Philosopher's Stone.
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